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How to Build Your Hi-Fi
There is a logical way to build a hi-fi
system. The three key elements are source, control and
playback. Ideally you should choose your components
in that order.
Source
LP, CD, Radio! Your choice of software will decide your
choice of source components. Right at the start of the
sound reproduction process, source component performance
ultimately determines the quality of sound you can attain.
A wide range of music formats is now available and more
will follow. At Jim Tate Stereo, we sell only those
source products that offer the highest quality music
reproduction and allow you to experience real excitement
and pleasure.
Control
The pre-amplifier operates at the very heart of your
system. To control your music with precision, you need
a flexible, hiss-and hum-free pre-amplifier that makes
it easy to handle both present and future sources to
the standard you require
Playback
Power amplification, cabling and loudspeakers together
comprise the playback element of your system. Whatever
the size of your room or the volume at which you choose
to listen, the better the quality of your playback system,
the more you will enjoy the music.
A loudspeaker can only detract from it's
incoming signal to a greater or lesser degree. It is
the final link in the hi-fi chain. Only when you have
selected the best source and control equipment should
you choose your speakers.
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How to Judge Hi-Fi
Music
can be enjoyed on a portable radio, especially if it is known
and loved, but to broaden musical taste, reproduction quality
must be good enough to convey the skill of the musicians and
communicate the composer's message. It has to be good enough
to seduce you into listening to music you never thought you
could or would be able to enjoy. Just as we all had to learn
to walk, speak, read and write, we have to learn to appreciate
music to discover its many benefits.
For each individual, the decision about how
good their system has to be is a personal one and because
everyone has a sophisticated internal reference system, the
best way to assess a hi-fi system is to listen and judge using
your own personal standards.
Singing along with the music may seem over simplistic
as a means of assessing a hi-fi system, but the music itself
reveals far more to a listener than the scientific terminology
of the hi-fi industry. Technical specifications will not tell
you how a system sounds, so to make the best choice you have
to listen and trust what your ears tell you.
Listen and repeat the tune silently and try
to reproduce, simultaneously, inside your head, the actual
sounds made by the hi-fi system. This is what we call the
sing-along method used in a tune dem, and it can be used to
judge any hi-fi component or system. The easier it is to perform
silent repetition of the sounds you listen to and repeat,
the better the reproduction quality.
Assessed this way, it's easy to hear if a system
can bring lasting pleasure. For example, when you listen to
live music, it often changes your mood: you relax, dream or
want to dance and you need a hi-fi which will offer the same
natural benefits at home. If a system is difficult for you
to follow and hard to sing along with, even when you try actively
to follow the tune, it will soon cause fatigue and as a consequence,
it will be used less and less, not because your ears are at
fault, but because the accuracy of sound it offers is not
good enough.
Highly trained ears are not needed to judge
a hi-fi system. People can sense the direction a melody is
taking and a wrong note is obvious to anyone during a live
concert, so customers need to relax and learn to judge with
confidence by using the sing-along method.
When in doubt a few simple questions
can also help:
1. Can you hear all the musicians playing all of the instruments
all of the time?
2. Can you always follow the tune played by every instrument?
If you still experience difficulty in judging,
turn up the sound level, then turn the music off abruptly
and ask: 'Is it a relief when it's switched off?' If so, the
system is probably not good enough for you.
These techniques can reveal even the most subtle
differences and so help you judge or compare the true quality
of hi-fi systems and components consistently and accurately.
The Value of "Single Speaker Demonstrations":
The presence of any unused loudspeakers in a demonstration
room will corrupt the sound you are trying to assess, since
these will vibrate to the sound and cause interference. This
in turn degrades the performance of the system being demonstrated.
This still applies, and indeed will be more important, in
multi-speaker surround systems for example.
A single speaker demonstration occurs when a
product or system is demonstrated without any other loudspeakers
not connected to the system being present in the room. Only
then is the true performance of the system revealed.
Choosing a hi-fi system can often be a daunting
experience, even for the enthusiast.
At Jim Tate Stereo we won't bamboozle you with technical jargon.
We will however put you at ease in our comfortable listening
environment where our expert staff will demonstrate the benefits
of owning a quality music system. We do this by choosing the
best components and using them intelligently to build perfectly
integrated systems, thus you can be assured that your chosen
system will give you the best sound and value for money available.
More Information
This article explains our criteria when evaluating hi-fi equipment.
It's all in the music!! - Listening
to tune (PDF)
For more in depth information about how to judge Hi-Fi please
view this PDF document - How
to judge Hi-Fi (PDF)
Music
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Looking for new music?
Take a look at Linn
Records. Well produced and recorded, Linn offers
extremely high quality music on LP, CD and SACD.
Jazz vocalist Claire Martin's latest album
from Linn - Secret Love.
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Naim CDs and records are amongst the best
recorded music available. With various contemporary
artists and a range of genres, there's bound to be something
for every music lover. All Naim music is available on
order through JTS. Listen to samples from the Naim
website.
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